"McElver best exemplifies the weird rightness of [Richard] Maxwell's aesthetic experiment."
- Charles McNulty, LOS ANGELES TIMES
“Excellent sound design”
- Ben Brantley, THE NEW YORK TIMES
“A clever, pop-inflected score”
- GOTHAMIST
“A haunting score.”
- LOS ANGELES TIMES
“Lovely music.”
- STAGE HAPPENINGS
Runner-up for Best Musical Score
– 2008 TICKETHOLDER AWARDS
“[The] original electronic suite conjures something composed by Erik Satie channeled through Philip Glass.”
- BACKSTAGE WEST